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2, Antwerp & Paris, 1885–1888: Van Gogh Museum. 44) which, in accordance with Article 5 paragraph 3 thereof, had been an integral part of the Convention since its entry into force on 21 September 1970. Van Gogh enlarges Eisen's image of the courtesan, placing her in a contrasting, golden background bordered by a lush water garden based on the landscapes of other prints he owned. No need for actors, cameras or audio equipment. 122-124 Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.